Bauckholt, Carola: Laufwerk“Mechanical devices”: carefully building a coherent whole from essential parts.
Sciarrino, Salvatore: Canzona di ringraziamentoDon't miss the solo music: a beautiful gratitude song for flute.
Ligeti, György: Piano ConcertoA cavalcade of instruments? After a few listens, you'll feel that all the sounds are in the right place.
Coates, Gloria: String Quartet No. 7The organ and string quartet can intertwine in amazing harmony. Exceptional music.
Romitelli, Fausto: Flowing down too slowThere is nothing to add or take away from the title: "Flowing down too slow".
Berio, Luciano: Sequenza VI for violaUnfortunately, compared to the violin, the viola is often neglected. That’s a pity.
Scelsi, Giacinto: Divertimento No.4Scelsi's often remarkably strange (and therefore unique) music - performed with elegance and naturalness.
Feldman, Morton: Patterns in a Chromatic FieldPlaying with musical memory, differentiation and repetition...
Hölszky, Adriana: Efeu und LichtfeldPulsating sources of light. Amazing interaction of the huge organ and the small violin.
Kagel, Mauricio: TactilKagel’s experimental theater (yes, theater) piece. Innovative and creative use of the instrumentation.
Ligeti, György: Chamber ConcertoEntering into Ligeti‘s harder to follow music, which is, at the same time, a fantastic universe.
Mitterer, Wolfgang: inwendig losgelost, rasantModern baroque music with electronics in Listening Room 3. Needless to say more.
Nordgren, Pehr Henrik: Piano Concerto No. 3 for the Left HandRitual music based on Japanese ghost stories... and a generous gesture.
Sciarrino, Salvatore: Quaderno di stradaThe unique sound of the Italian avant-garde with a fantastic performance by bass-baritone Katzameier.
Saariaho, Kaija: Maan Varjot for Organ and OrchestraEarth’s Shadows faithfully represents a less serene face of the world.
Sánchez-Verdú, José M.: Paisajes del Placer y de la CulpaLandscapes of Pleasure and Blame. VERY special atmosphere.
Nørgård, Per: BorderlinesDifferent tonalities: the fantastic coexistence of well-tempered scale and microtones.
Buene, Eivind: Lessons in DarknessA unique piece of music from 2017: fundamental lack of light or rather blackness. Your lessons?
Berio, Luciano: Sequenza IIDefying many stereotypes: exploring the timbral and expressive capabilities of the harp.
Sørensen, Bent: Sterbende GartenA violin concerto dedicated to dying gardens; harmonies you’ve never heard before.
Haas, Georg Friedrich: Guitar QuartetGuitar quartets are very rare, and here the tuned guitars make it even more memorable with free microtonality.
Penderecki, Krzysztof: Capriccio for Violin and OrchestraTransition to Listening Room 4 with Penderecki's perfect sense of tranquillity and harassment.